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Prof. Dr. Clemens Risi
List of publications:
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Lehrstuhl für Theaterwissenschaft
Award(s)
(5)
Project Leads
(4)
Publications
(167)
Activities
(189)
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Membership in Science Council
Membership in Science Council
Membership in FAU-internal representative bodies
Membership in FAU-internal representative bodies
Membership in DFG-Subject field
Membership in DFG-Subject field
Organisation of a congress/conference/exhibition
Organisation of a congress/conference/exhibition
Speech/Talk
Speech/Talk
Editorship of a scientific journal or series
Editorship of a scientific journal or series
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Expert for funding organisation
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Expert for reviewing scientific journal
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Organisation der Internationalen Tagung „Koordinaten der Leidenschaft“ des SFB „Kulturen des Performativen“ (zusammen mit Jens Roselt)
Conference
30.03.2007 - 31.03.2007
Diva Poses: Considerations on the Perception of the Extraordinary
International, Interdisciplinary Conference on Opera „Technologies of the Diva“, Italian Academy for Advanced Studies in America at Columbia University
24.03.2007
Mozart-Musiktheater – Wege des Performativen
Interdisziplinäres Symposium „Wege zur Klassik“ der Schola Cantorum Basiliensis in Zusammenarbeit mit dem Musikwissenschaftlichen Institut der Universität Basel
12.01.2007
Organisation des Kolloquiums „Realistisches Musiktheater – Geschichte, Erben, Gegenpositionen“ in Zusammenarbeit mit dem SFB 626 und der Komischen Oper Berlin, Berlin (zusammen mit Werner Hintze und Robert Sollich)
Conference
25.11.2006 - 26.11.2006
Martern aller Arten“ – Calixto Bieitos Suche nach der Wahrheit des Musiktheaters
Kolloquium „Realistisches Musiktheater – Geschichte, Erben, Gegenpositionen“, in Kooperation mit der Komischen Oper Berlin
26.11.2006
Opera and Performance. About Voices and Bodies and Their Perception
3rd Annual German-American Frontiers of Humanities Symposium (GAFOH), sponsored by the Alexander von Humboldt Foundation (AvH) and the U.S. American Philosophical Society (APS): „The Making of Memory: Space · Performance · Appropriation“
13.10.2006
Werner Egk’s ‚Peer Gynt‘ (Berlin 1938) – Opera and Politics
International Congress „Global Ibsen. Performing Ibsen All Over the World"
29.09.2006
The Perception of the Prima Donna in Mid-19th Century Italy, as an Alternation between Representation and Presence
Symposium „Staging the Feminine: The Arts of the Prima Donna, 1720-1920“, School of Music, University of Leeds
15.07.2006
Medea: Arbeit an der Oper als Arbeit am Mythos
Tagung der Evangelischen Akademie Tutzing „Schweigen die Sirenen? Zur Aktualität des Mythos im zeitgenössischen Musiktheater“
08.07.2006
The Collaborative Research Centre ‘Performative Cultures’ as an Example for Research of Excellence
DAAD-Programm „Germany Today 2006. Innovations in German and European Graduate Education“
23.06.2006
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