“A Thing Apart”: Sonnet Poetics and Radical Politics in Claude McKay’s Harlem Shadows

Wildermuth AI


Publication Type: Journal article

Journal

Book Volume: 14

Pages Range: 15 - 31

Open Access Link: https://www.aspeers.com/2021/wildermuth

Abstract

In this paper, I read Claude McKay’s partaking in the English sonnet tradition in Harlem Shadows as being a fundamental part of—and not, as many commentators have suggested, counter to—the poet’s and book’s radical politics. Upon contextualizing my readings alongside critics including Houston A. Baker, Jr., Kamau Brathwaite, and Winston James, I perform close readings of McKay’s poems “Subway Wind” and “Outcast.” I specifically analyze how these poems imagine climatic ‘currents’ through images and metaphors of racially marked colonial spaces, which the poems, I suggest, also poetically perform through the actualization of the sonnet form as discursive currents redirected toward liberatory politics.

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How to cite

APA:

Wildermuth, A.I. (2021). “A Thing Apart”: Sonnet Poetics and Radical Politics in Claude McKay’s Harlem Shadows. Aspeers: Emerging Voices in American Studies, 14, 15 - 31.

MLA:

Wildermuth, Andrew Isaac. "“A Thing Apart”: Sonnet Poetics and Radical Politics in Claude McKay’s Harlem Shadows." Aspeers: Emerging Voices in American Studies 14 (2021): 15 - 31.

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