“No Church in the Wild”? Hip Hop and Inductive Theology

Building on recent debates in Open Theology on inductive theology – debates that call for theological reflection to be more deeply grounded in lived religion – this article explores how Hip Hop can serve as a productive dialogue partner for this approach. It argues that Hip Hop – understood as a multifaceted cultural formation – can offer distinctive insights into how religion is experienced, practiced, and negotiated in marginalized urban contexts. Drawing on scholarship from both Hip Hop Studies and the field of Hip Hop and Religion, the article shows how theological engagement with Hip Hop can broaden the epistemic and normative horizons of inductive theology by articulating religious imaginaries and ethical concerns that have the potential to challenge conventional theological categories. It concludes by proposing that Hip Hop not only exemplifies the inductive method in practice but also offers a compelling model for how theology might be reshaped through sustained attention to the cultural and spiritual expressions of those at the margins.