Opera in performance. Analyzing the performative dimension of opera productions. Translated by Anthony Mahler
Risi C (2022)
Publication Language: English
Publication Type: Authored book, Monography
Publication year: 2022
Publisher: Routledge
Series: Routledge Advances in Theatre & Performance Studies
City/Town: Abingdon and New York
ISBN: 978-0-367-64502-1
Abstract
Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera.
Authors with CRIS profile
Additional Organisation(s)
Philosophische Fakultät und Fachbereich Theologie
Department Medienwissenschaften und Kunstgeschichte
Lehrstuhl für Theaterwissenschaft
Institut für Theater- und Medienwissenschaft
Interdisziplinäres Zentrum Ästhetische Bildung
Related research project(s)
Pictures
How to cite
APA:
Risi, C. (2022). Opera in performance. Analyzing the performative dimension of opera productions. Translated by Anthony Mahler. Abingdon and New York: Routledge.
MLA:
Risi, Clemens. Opera in performance. Analyzing the performative dimension of opera productions. Translated by Anthony Mahler. Abingdon and New York: Routledge, 2022.
BibTeX: Download