Bell P (2019)
Publication Language: English
Publication Status: Published
Publication Type: Book chapter / Article in edited volumes
Future Publication Type: Article in Edited Volumes
Publication year: 2019
Publisher: Brill Academic Publishers
Edited Volumes: Visions of the Greek World: The Reception of Hellenism in Early Modern Europe.
City/Town: Leiden
Pages Range: 189-217
ISBN: 978-90-04-34385-6
In this chapter, I will analyse the woodcuts of the Swiss artist Tobias Stimmer (1539–1584), which were direct reproductions of Paolo Giovio’s por trait collection, often regarded as one of the first “museums”.
In order to understand the cultural and ideological implications of the por- traits of the Greek schlars, they have to be compared with the representation of Greeks in fifteenth-century visual culture generally.
APA:
Bell, P. (2019). Barbaric and Assimilated Hellenes: Textual and Visual Images of Greek Scholars between Lapo da Castiglionchio (c.1405–1438) and Paolo Giovio (1483–1552). In Han Lamers, Natasha Constantinidou (Eds.), Visions of the Greek World: The Reception of Hellenism in Early Modern Europe. (pp. 189-217). Leiden: Brill Academic Publishers.
MLA:
Bell, Peter. "Barbaric and Assimilated Hellenes: Textual and Visual Images of Greek Scholars between Lapo da Castiglionchio (c.1405–1438) and Paolo Giovio (1483–1552)." Visions of the Greek World: The Reception of Hellenism in Early Modern Europe. Ed. Han Lamers, Natasha Constantinidou, Leiden: Brill Academic Publishers, 2019. 189-217.
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