Transatlantic Cultural Exchange: African American Women's Art and Activism in West Germany

Gerund K (2013)


Publication Language: English

Publication Status: Accepted

Publication Type: Authored book, Volume of book series

Publication year: 2013

Original Authors: Gerund Katharina

Publisher: Transcript

Series: American Studies

City/Town: Bielefeld

Book Volume: 5

Pages Range: 315

DOI: 10.14361/transcript.9783839422731

Abstract

From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as "mother" of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of "African Americanizations" as a form of cultural exchange but also sheds new light on the role of African American culture for (West) German society, culture, and national identity.

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How to cite

APA:

Gerund, K. (2013). Transatlantic Cultural Exchange: African American Women's Art and Activism in West Germany. Bielefeld: Transcript.

MLA:

Gerund, Katharina. Transatlantic Cultural Exchange: African American Women's Art and Activism in West Germany. Bielefeld: Transcript, 2013.

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