Generalizability of the four C model of creativity: A cross cultural examination of creative perception

Beitrag in einer Fachzeitschrift


Details zur Publikation

Autor(en): Puente-Diaz R, Maier M, Brem A, Cavazos-Arroyo J
Zeitschrift: Psychology of Aesthetics, Creativity, and the Arts
Verlag: American Psychological Association Inc.
Jahr der Veröffentlichung: 2016
Band: 10
Heftnummer: 1
Seitenbereich: 14-20
ISSN: 1931-3896
eISSN: 1931-390X
Sprache: Englisch


Abstract


Do perceptions of creative categories proposed by the 4 C model differ across cultures? To answer this research question, 2 studies were conducted to examine the generalizability of the 4 C model among participants from Mexico and Germany. Participants completed a battery of questionnaires measuring perceptions of the 4 Cs, self-deceptive enhancement, impression management, and need for cognition. Structural equation modeling was used to test for the proposed factor structure and for configural invariance. Results showed that the 4-factor structure was supported across both countries. There was also support for configural invariance. However, the hierarchical structure of the 4 C model was not completely supported in either country. Results of the study are discussed, as well as implications for future research.




Autor(en) der externen Einrichtung(en)
Universidad Anáhuac México Norte
Universidad Popular Autónoma del Estado de Puebla


Zitierweisen

APA:
Puente-Diaz, R., Maier, M., Brem, A., & Cavazos-Arroyo, J. (2016). Generalizability of the four C model of creativity: A cross cultural examination of creative perception. Psychology of Aesthetics, Creativity, and the Arts, 10(1), 14-20. https://dx.doi.org/10.1037/aca0000038

MLA:
Puente-Diaz, Rogelio, et al. "Generalizability of the four C model of creativity: A cross cultural examination of creative perception." Psychology of Aesthetics, Creativity, and the Arts 10.1 (2016): 14-20.

BibTeX: 

Zuletzt aktualisiert 2018-11-08 um 00:42