Prof. Dr. Gerd Bayer



Organisation


Philosophische Fakultät und Fachbereich Theologie
Lehrstuhl für Anglistik, insbesondere Literaturwissenschaft


Awards / Honours

Go to first page Go to previous page 1 of 2 Go to next page Go to last page

2017 : Mitgliedschaft Academia Europaea
2015 : Gastprofessur
2013 : Research Fellowship
2012 : Gastprofessur
2008 : Ray and Pat Browne Award



Project lead


Epistolary Culture in the English Restoration
Prof. Dr. Gerd Bayer
(01/10/2018 - 30/09/2020)

Neue Horizonte: Erzähltexte des 17. Jahrhunderts und der Roman als neues Genre
Prof. Dr. Gerd Bayer
(01/09/2009 - 31/03/2012)


Other Research Activities

Go to first page Go to previous page 1 of 4 Go to next page Go to last page

Editorship of a scientific journal / series
Prof. Dr. Gerd Bayer
Member of editorial board - Miscelánea (ISSN: 0214-0586)
(24/12/2011)
Editorship of a scientific journal / series
Prof. Dr. Gerd Bayer
Member of editorial board - Anthem Studies in Popular Culture, Anthem Press (UK)
(24/12/2012)
Editorship of a scientific journal / series
Prof. Dr. Gerd Bayer
Editorial head - Journal of Postcolonial Writing (ISSN: 1744-9855)
(24/12/2012)
Editorship of a scientific journal / series
Prof. Dr. Gerd Bayer
Member of editorial board - Journal of Popular Culture (ISSN: 0022-3840)
(24/12/2017)
Editorship of a scientific journal / series
Prof. Dr. Gerd Bayer
Member of editorial board - Studies in World Literature, Ibidem Press (Germany)
(07/10/2016)


Publications (Download BibTeX)

Go to first page Go to previous page 1 of 9 Go to next page Go to last page

Bayer, G. (2019). David Mitchell’s Slade House and the Non-Place of Transmodernism. In Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa (Eds.), Transmodern Perspectives on Contemporary Literatures in English. New York: Routledge.
Bayer, G. (2019). Fragmentary Transtextuality: David Mitchell and His Novel. In Vanessa Guignery and Wojciech Drag (Eds.), The Poetics of Fragmentation in Contemporary British and American Fiction. (pp. 57-66). Delaware: Vernon Press.
Bayer, G. (Ed.) (2019). Heavy Metal at the Movies. New York: Routledge.
Bayer, G. (2019). Introduction: metal studies, visual culture and popular consumption. In Gerd Bayer (Eds.), Heavy Metal at the Movies. (pp. 1-15). New York: Routledge.
Bayer, G. (2018). Making the Postmodern English Novel: John Fowles's Unpublished Tesserae. In Guido Isekenmeier und Gerd Bayer (Eds.), Recollecting John Fowles / Wiedererinnerungen an John Fowles (pp. 113-125). Münster: Lit.
Bayer, G., & Isekenmeier, G. (Eds.) (2018). Recollecting John Fowles / Wiedererinnerungen an John Fowles. Münster: Lit.
Bayer, G. (2018). The Right Sort of Form for “The Right Sort”: David Mitchell's Tweet-Story. In Löschnigg, Maria / Schuh, Rebekka (Eds.), The Epistolary Renaissance: A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction (pp. 277-288). Berlin: De Gruyter.
Bayer, G. (2018). The Short Narrative Form in David Mitchell’s The Bone Clocks. In Patrick Gill, Florian Kläger (Eds.), Constructing Coherence in the British Short Story Cycle (pp. 245-59). London: Routledge.
Bayer, G. (2018). Trauma and the Literature of War. In J. Roger Kurtz (Eds.), Trauma and Literature (pp. 213-225). Cambridge: Cambridge University Press.
Bayer, G. (2017). Being Lemmy Kilmister: Performativity and Metal. Rock Music Studies, 4(3), 221–33. https://dx.doi.org/10.1080/19401159.2017.1351859

Last updated on 2017-08-11 at 01:00