Dr. Susanne Gruß



Organisation


Lehrstuhl für Anglistik, insbesondere Literaturwissenschaft



Project lead


The Laws of Excess: Violent Law and Generic Violence on the Early Modern Stage (Habilitationsprojekt)
Dr. Susanne Gruß
(01/03/2011)

The Pleasure of the Feminist Text: The (De)Construction of Gender in the Works of Michèle Roberts and Angela Carter (Dissertation)
Dr. Susanne Gruß
(01/09/2001)


Other Research Activities


Memberships in representative bodies / functions (FAU-internal)
Dr. Susanne Gruß
Interdisziplinary Center (Member)
Organisation of a congress / conference
PD Dr. Nadine Böhm-Schnitker; Dr. Susanne Gruß
Fashioning the Neo-Victorian. Iterations of the Nineteenth Century in Contemporary Literature and Culture
(08/04/2010 - 10/04/2010)
Organisation of a congress / conference
Dr. Susanne Gruß
Buccaneers, Corsairs, Pirates and Privateers: Connecting the Early Modern Seas
(13/04/2018 - 14/04/2018)
Editorship of a scientific journal / series
Dr. Susanne Gruß
Member of editorial board - Neo-Victorian Studies (ISSN: 1757-9481)
(01/10/2014)
Editorship of a scientific journal / series
Dr. Susanne Gruß
Member of editorial board - Journal for the study of British cultures (ISSN: 0944-9094)
(01/09/2011)


Publications (Download BibTeX)

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Böhm-Schnitker, N., & Gruß, S. (2012). Jasper Fforde im Gespräch mit Schau ins Blau. Schau ins Blau.
Broders, S., Gruß, S., & Waldow, S. (Eds.) (2012). Phänomene der Fremdheit – Fremdheit als Phänomen. Würzburg: Königshausen & Neumann.
Broders, S., Gruß, S., & Waldow, S. (2012). Phänomene der Fremdheit – Fremdheit als Phänomen: Einleitung. In Simone Broders, Susanne Gruß, Stephanie Waldow (Hrg.), Phänomene der Fremdheit - Fremdheit als Phänomen. (pp. 9-24). Würzburg: Königshausen & Neumann.
Gruß, S. (2012). Thomas Middleton’s Gothic Nightmares: The Revenger’s Tragedy, The Bloody Banquet and The Lady’s Tragedy. Zeitsprünge: Forschungen zur Frühen Neuzeit, 16(3/4), 225-242.
Gruß, S., & Böhm-Schnitker, N. (2011). Introduction: Spectacles and Things – Visual and Material Culture and/in Neo-Victorianism. Neo-Victorian Studies, 4(2), 1-23.
Gruß, S., & Böhm-Schnitker, N. (Eds.) (2011). Spectacles and Things: Visual and Material Culture and/in Neo-Victorianism. Swansea, Wales: Swansea University.
Gruß, S. (2011). The Diffusion of Gothic Conventions in Harry Potter and the Order of the Phoenix (2003/2007). In Berndt Katrin, Steveker Lena (Eds.), Heroism in the Harry Potter Series. (pp. 39-53). Farnham: Ashgate.
Gruß, S. (2010). Sex and the City? Ecofeminism and the Urban Experience in Angela Carter, Anne Enright and Bernardine Evaristo. In Volkmann Laurenz, Grimm Nancy, Detmers Ines, Thomson Katrin (Eds.), Local Natures, Global Responsibilities. Ecocritical Perspectives on the New English Literatures. (pp. 321-336). Amsterdam, New York: Rodopi.
Gruß, S. (2009). 'A few flowery phrases and he thinks I’m his’ – (Re)Appropriations of Wordsworth in Contemporary Literature and Film. In Coelsch-Foisner Sabine, Flothow Dorothea (Eds.), High and/versus Popular Culture. (pp. 45-57). Heidelberg: Univ.-Verl. Winter.
Gruß, S. (2009). Shakespeare in Bollywood? Vishal Bhardwaj’s Omkara (2006). In Säckel Sarah, Göbel Walter, Hamdy Noah (Eds.), Semiotic Encounters: Text, Image and Trans-Nation. (pp. 223-238). Amsterdam, New York: Rodopi.

Last updated on 2018-26-07 at 10:16