Dr. Susanne Gruß



Organisation


Lehrstuhl für Anglistik, insbesondere Literaturwissenschaft



Project lead


The Laws of Excess: Violent Law and Generic Violence on the Early Modern Stage (Habilitationsprojekt)
Dr. Susanne Gruß
(01/03/2011)

The Pleasure of the Feminist Text: The (De)Construction of Gender in the Works of Michèle Roberts and Angela Carter (Dissertation)
Dr. Susanne Gruß
(01/09/2001)


Other Research Activities


Memberships in representative bodies / functions (FAU-internal)
Dr. Susanne Gruß
Interdisziplinary Center (Member)
Organisation of a congress / conference
Dr. Nadine Böhm-Schnitker; Dr. Susanne Gruß
Fashioning the Neo-Victorian. Iterations of the Nineteenth Century in Contemporary Literature and Culture
(08/04/2010 - 10/04/2010)
Organisation of a congress / conference
Dr. Susanne Gruß
Buccaneers, Corsairs, Pirates and Privateers: Connecting the Early Modern Seas
(13/04/2018 - 14/04/2018)
Editorship of a scientific journal / series
Dr. Susanne Gruß
Member of editorial board - Neo-Victorian Studies (ISSN: 1757-9481)
(01/10/2014)
Editorship of a scientific journal / series
Dr. Susanne Gruß
Member of editorial board - Journal for the study of British cultures (ISSN: 0944-9094)
(01/09/2011)


Publications (Download BibTeX)

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Gruß, S. (2018). Golems, Vampires and a Mechanical Queen: Neo-Gothic Detection and the Psychogeography of Urban Change. In Monika Pietrzak-Franger, Nora Pleßke, Eckart Voigts (Eds.), Transforming Cities: Discourses of Urban Change (pp. 59-73). Heidelberg: Winter.
Gruß, S. (2016). Bleak London: (Neo-)Dickensian Psychogeographies. In Ina Habermann, Daniela Keller (Eds.), English Topographies in Literature and Culture: Space, Place, and Identity (pp. 74-90). Leiden, Boston: Brill Rodopi.
Gruß, S. (2015). Jacobean Gothic and the Law: Revengers and Ineffectual Rulers in Middleton and Massinger. In Redling Ellen, Schneider Christian (Eds.), Gothic Transgressions: Extension and Commercialization of a Cultural Mode (pp. 35-53). Zürich: LIT.
Gruß, S. (2015). Wilde Crimes: Biographilia, the Art of Murder and Decadent (Homo)Sexuality in Gyles Brandreth's Oscar Wilde-Series. Victoriographies, 5(2), 165-182.
Böhm-Schnitker, N., & Gruß, S. (2014). "Introduction: Fashioning the Neo-Victorian - Neo-Victorian Fashions". In Nadine Böhm-Schnitker und Susanne Gruß (Eds.), Neo-Victorian Literature and Culture: Immersions and Revisitations (pp. 1-17). London, New York: Routledge.
Gruß, S., Steveker, L., & Zirker, A. (2014). Introduction: Not Shakespeare - New Approaches to Drama in the Seventeenth Century. In Mergenthal Silvia, Nischik Reingard (Eds.), Anglistentag 2013 Konstanz: Proceedings (pp. 153-157). Trier: Wissenschaftlicher Verlag Trier.
Böhm-Schnitker, N., & Gruß, S. (Eds.) (2014). Neo-Victorian Literature and Culture: Immersions and Revisitations. London, New York: Routledge.
Gruß, S. (2014). Spectres of the Past: Reading the Phantom of Family Trauma in Neo-Victorian Fiction. In Böhm-Schnitker Nadine, Gruss Susanne (Eds.), Neo-Victorian Literature and Culture: Immersions and Revisitations (pp. 123-136). London, New York: Routledge.
Gruß, S. (2012). Angela Carter’s Excessive Stagings of the Canon: Psychoanalytic Closets, Hermaphroditic Dreams, and Jacobean Westerns. In Andermahr Sonya, Phillips Lawrence (Eds.), Angela Carter: New Critical Readings (pp. 44-55). London: Continuum.
Gruß, S. (2012). 'But there was something very appealing about that Fe-Male’: Transgender als Passing von Jackie Kays Trumpet (1998) zum neoviktorianischen Bildungsroman. In Broders Simone , Gruß Susanne, Waldow Stephanie (Eds.), Phänomene der Fremdheit – Fremdheit als Phänomen (pp. 191-213). Würzburg:: Königshausen & Neumann.

Last updated on 2018-26-07 at 10:16