Lehrstuhl für Anglistik, insbesondere Literaturwissenschaft


Description:


Lehrstuhl für Anglistik, insbesondere Literaturwissenschaft


Address:
Bismarckstraße 1
91054 Erlangen


Research Fields

Contemporary Literature and Culture
Literature and Culture of the 'Long' Eighteenth Century
Literature, Ethics, Responsibility
More Research: Literature, Media, Transfer


Related Project(s)

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Epistolary Culture in the English Restoration
Prof. Dr. Gerd Bayer
(01/10/2018 - 30/09/2020)


War of the Worlds? Science and Religion in Contemporary Literature
Dr. Patrick Müller
(01/05/2014)


Curiosity in Eighteenth-Century English Literature (WT)
PD Dr. Simone Broders
(01/08/2012 - 31/12/2017)


The Laws of Excess: Violent Law and Generic Violence on the Early Modern Stage (Habilitationsprojekt)
Dr. Susanne Gruß
(01/03/2011)


Von der georgianischen Ära bis zum Zeitalter des keltischen Tigers: Der Wandel der Stadtdarstellung im Dublinroman
Dr. Sonja Müller
(01/04/2010 - 30/09/2011)



Publications (Download BibTeX)

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Freiburg, R. (2019). "’These you distil in balneo Mariæ’: Swift's Use of Alchemy in A Tale of a Tub”. In Janika Bischof, Kirsten Juhas, Hermann J. Real (Eds.), Reading Swift: Papers from The Seventh Münster Symposium on Jonathan Swift. (pp. 167-196). München: Wilhelm Fink.
Bayer, G. (2019). Editor’s note. Journal of Postcolonial Writing, 55(1), 1-4. https://dx.doi.org/10.1080/17449855.2019.1590937
Bayer, G. (2019). David Mitchell’s Slade House and the Non-Place of Transmodernism. In Jessica Aliaga-Lavrijsen and José María Yebra-Pertusa (Eds.), Transmodern Perspectives on Contemporary Literatures in English. New York: Routledge.
Bayer, G. (Ed.) (2019). Heavy Metal at the Movies. New York: Routledge.
Bayer, G. (2019). Introduction: metal studies, visual culture and popular consumption. In Gerd Bayer (Eds.), Heavy Metal at the Movies. (pp. 1-15). New York: Routledge.
Bayer, G. (2019). Fragmentary Transtextuality: David Mitchell and His Novel. In Vanessa Guignery and Wojciech Drag (Eds.), The Poetics of Fragmentation in Contemporary British and American Fiction. (pp. 57-66). Delaware: Vernon Press.
Flessner, B., & Rüster, J. (2018). Kritik des Transhumanismus. Über eine Ideologie der Optimierungsgesellschaft. Bielefeld: transcript.
Freiburg, R. (Ed.) (2018). Sprachwelten: Erlanger Universitätstage Amberg/Ansbach 2017. Erlangen: FAU University Press.
Freiburg, R. (2018). Vorwort. In Freiburg, Rudolf (Eds.), Sprachwelten: Erlanger Universitätstage Amberg/Ansbach (pp. 3-4). Erlangen: FAU University Press.
Freiburg, R. (2018). Einleitung - Sprachwelten: Eine essayistische Rundreise auf vermeintlichvertrautem Terrain. In Freiburg, Rudolf (Eds.), Sprachwelten: Erlanger Universitätstage Amberg/Ansbach 2017 (pp. 5-50). Erlangen: FAU University Press.
Bayer, G. (2018). The Right Sort of Form for "The Right Sort" David Mitchell's Tweet-Story. In Maria Löschnigg, Rebekka Schuh (Eds.), The Epistolary Renaissance: A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction. (pp. 277-288). Berlin, Boston: De Gruyter.
Bayer, G. (2018). Trauma and the Literature of War. In J. Roger Kurtz (Eds.), Trauma and Literature (pp. 213-225). Cambridge: Cambridge University Press.
Bayer, G. (2018). The Right Sort of Form for “The Right Sort”: David Mitchell's Tweet-Story. In Löschnigg, Maria / Schuh, Rebekka (Eds.), The Epistolary Renaissance: A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction (pp. 277-288). Berlin: De Gruyter.
Bayer, G. (2018). Making the Postmodern English Novel: John Fowles's Unpublished Tesserae. In Guido Isekenmeier und Gerd Bayer (Eds.), Recollecting John Fowles / Wiedererinnerungen an John Fowles (pp. 113-125). Münster: Lit.
Bayer, G. (2018). The Short Narrative Form in David Mitchell’s The Bone Clocks. In Patrick Gill, Florian Kläger (Eds.), Constructing Coherence in the British Short Story Cycle (pp. 245-59). London: Routledge.
Gruß, S. (2018). Golems, Vampires and a Mechanical Queen: Neo-Gothic Detection and the Psychogeography of Urban Change. In Monika Pietrzak-Franger, Nora Pleßke, Eckart Voigts (Eds.), Transforming Cities: Discourses of Urban Change (pp. 59-73). Heidelberg: Winter.
Bayer, G., & Isekenmeier, G. (Eds.) (2018). Recollecting John Fowles / Wiedererinnerungen an John Fowles. Münster: Lit.
Broders, S. (2017). "'The Dark Heart of Dystopia' – Die Alternativgesellschaft als Spiegelkabinett in Will Self, The Book of Dave". In Teresa Hiergeist. (Eds.), Parallel- und Alternativgesellschaften in den Gegenwartsliteraturen (pp. 317-337). Würzburg: Königshausen & Neumann.
Freiburg, R. (2017). Einleitung: D@tenflut - Eine essayistische Einschätzung der digitalen Revolution. In Rudolf Freiburg (Eds.), D@tenflut: Fünf Vorträge. Erlanger Universitätstage Amberg/Ansbach 2016 (pp. 5-38). Erlangen: FAU University Press.
Freiburg, R., Lubkoll, C., & Neumeyer, H. (2017). Einleitung. In: Zwischen Literatur und Naturwissenschaft. In Freiburg Rudolf, Lubkoll Christine, Neumeyer Harald (Eds.), Zwischen Literatur und Naturwissenschaft. Debatten - Probleme - Visionen 1680-1820 (pp. IX-XVI). Boston/Berlin: De Gruyter.


Publications in addition (Download BibTeX)

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Offen, F. (2013). Alfred Döblin: Schicksalsreise (1949). In Bannasch, Bettina; Rochus, Gerhild (Eds.), Handbuch der deutschsprachigen Exilliteratur: Von Heinrich Heine bis Herta Müller (pp. 277-283). Berlin: De Gruyter.
Müller, P., Hansen, M., & Juhas, K. (2013). Preface. In Juhas Kirsten (Eds.), The first wit of the age : essays on Swift and his contemporaries in honour of Hermann J. Real (pp. 11-14). Frankfurt am Main: Lang.
Müller, P. (Ed.) (2013). ‘New Ages, New Opinions’: Shaftesbury in his World and Today. Frankfurt: Peter Lang.
Müller, P. (2013). Ridentem Dicere Verum Quid Vetat: Shaftesbury, Horatian Satire, and the Cultural (Ab)Uses of Laughter. XVII-XVIII, 70, 47-71..
Offen, F. (2012). Kult ‚mit Biss‘: Kultische Verehrung des ‚Anderen‘. Die Wiedergeburt des Vampirismus in der Kultur der Gegenwart. Schau ins Blau, 4.
Müller, P. (2012). Rewriting the Divine Right Theory for the Whigs: The Political Implications of Shaftesbury's Attack on the Doctrine of Futurity in his Characteristicks. In Mascha Hansen and Jürgen Klein (Eds.), Great Expectations: Futurity in the Long Eighteenth Century (pp. 67-88). Frankfurt am Main: Lang.
Müller, P. (2012). ‘But philosophy can tell no more': Johnson's Christian Moralism and the Genre of Rasselas. In New Melvyn (Eds.), Resisting Secularism: Theology and Literature in the Age of Johnson (pp. 113-129). Newark: Univ. of Delaware Press.
Charles Baudelaire (2012). Charles Baudelaire, Die Qualen des Opiums. (Benda, W., Trans.). Bayreuth: The Bear Press.
Hugh Ludlow (2012). Hugh Ludlow, Stunde & Macht der Finsternis. (Benda, W., Trans.). Bayreuth: The Bear Press.
Müller, P. (2011). “Review of Wayne Hudson, Enlightenment and Modernity: The English Deists and Reform.” Scriblerian (2011). The Scriblerian.
Benda, W., Jackson-Holzberg, C., Müller, P., & Uehlein, F. (Eds.) (2011). Shaftesbury, Standard Edition, Band II,6, Askemata,. Bad Canstatt: frommann-holzboog.
John Keats (2011). John Keats, Im Bardenland. (Benda, W., Trans.). Bayreuth: The Bear Press.
Müller, P., Benda, W., Jackson-Holzberg, C., & Uehlein, F. (Eds.) (2011). Shaftesbury (Anthony Ashley Cooper): Band II,6: Askemata I (Englisch). Stuttgart-Bad Cannstatt: Frommann-Holzboog.
Hensler, C. (2011). Die Darstellung des Literaturbetriebs in der deutschsprachigen Gegenwartsliteratur (Magister thesis).
Müller, P. (2011). “Review of Wayne Hudson, Enlightenment and Modernity: The English Deists and Reform.”. The Scriblerian.
Benda, W. (Ed.) (2011). Hugo von Hofmannsthal, Der Tod des Tizian. The Bear Press Wolfram Benda, Bayreuth 2011. Bayreuth: The Bear Press.
(2011). Joseph Conrad, Der Freibeuter. (Benda, W., Trans.). Bayreuth: The Bear Press.
(2011). Charles Robert Maturin, Melmoths Traum. (Benda, W., Trans.). Bayreuth: The Bear Press.
Sir Thomas Browne (2011). Sir Thomas Browne, Die Rose des Paracelsus. (Benda, W., Trans.). Bayreuth: The Bear Press.
Müller, P. (2010). ‘Dwell with honesty & beauty & order': The Paradox of Theodicy in Shaftesbury's Thought. Aufklärung, 22, 201-231.

Last updated on 2019-24-04 at 10:22